October 8, 2025

Higan-bana (cluster-amaryllis) flowers: Kencho-ji

Higan-bana (cluster-amaryllis) flowers: Kencho-ji

 A stone monument inscribed with the famous Chinese poem titled “Huukyo Yahaku (A Night-mooring near Maple Bridge)” is standing beside the steep stone steps leading up to the Hansoubou Gongen shrine, as if to hide itself from the worldly affairs.

This beautiful monument is the replica presented from Kanzan-ji Temple in Suzhou, China.

In front of the small stone cave, in the oblique afternoon sunlight of early autumn, the flame-like flowers of Higan-bana (cluster amaryllis) are blooming brightly. In Buddhism, “Higan” means “the world of enlightenment” or “the other world’. This flower is said to bloom on the border between this world and the other world.

The Higan-bana is also called Manjushage. Its vivid flower appears on the ground from mid- to late September before the leaves appear, as if suddenly descending from the heavens.

Manjushage means “red flowers falling from the heaven” in Sanskrit. This name is derived from the Buddhist scripture that says the red flowers falling from the heavens as the sign of good fortune. On the other hand, as its flowers and leaves appear separately, it is sometimes regarded as a symbol of transience and separation, which links this world and the other shore.

"Huukyo Yahaku," the seven words and seven phrases composed by the Tang Dynasty poet Zhang Ji, can be translated as follows:

“The moon is setting, crows are cawing, and frost is filling the sky.
I am spending a sleepless night in the deep sorrows of my journey while watching the maples and fishing fires by the riverside.
The sound of the temple bell echoes from Kanzan-ji Temple outside the city of Suzhou to the boats of the travellers who are staying there.”




Hagi (Japanese bush clover) flowers: Kencho-ji

Hagi (Japanese bush clover) flowers: Kencho-ji

The countless small flowers of Hagi (bush clover) are shimmering in the westering sun of autumn while swaying gently in the pleasant breeze as if to express their joy of blooming.

The lovely flowers of Hagi have been cherished by the Japanese since ancient times as one of "Aki no nanakusa" (the seven autumnal flowers), namely, Hagi (bush clover), Susuki (Japanese pampas grass), Kudzu (arrowroot), Nadeshiko (fringed pink), Ominaeshi (golden lace), Fujibakama (thoroughwort), and Kikyou (Chinese bellflower).

Numerous cultural expressions of Japan, including Waka poetry, literature, and painting, incorporate the virtues of Hagi flowers.

The Hagi is said to be characterized by its small, delicate blossoms and its quiet, humble presence in the wild. Its flowers are beautiful without drawing attention and quiet yet memorable, which symbolizes humility and modesty.

The Hagi blooms at the onset of autumn. Its appearance, swaying in the wind, is ephemeral, evoking the passage of seasons. It was frequently celebrated in Heian-period waka poetry as a flower embodying the perception of impermanence and the Mono-no-aware (pathos of things).

Because the branches of Hagi are supple and slender, they sway gently in the autumnal breezes to make an impression of Miyabi (elegance). This soft movement is regarded as symbolizing gentleness and a tranquil heart.



Higanbana (Lycoris radiata) flower: Kencho-ji

Higanbana (Lycoris radiata) flower: Kencho-ji

 

A stone sculpture (dragonfly) of Mushi-zuka (mourning mound for dead insects): Kencho-ji

A stone sculpture (dragonfly) of Mushi-zuka (mourning mound for dead insects): Kencho-ji

This Mushi-zuka (the mourning mound for dead insects) was founded by entomologist and anatomist Takeshi Yoro in the bamboo grove of Kencho-ji Temple.

This memorial is built for honoring the dead insects that Dr. Yoro preserved as his insect specimens and serves as a place for visitors to reflect on the preciousness of all living things on the earth.

This insect mound embodies the Buddhist principle of non-killing.

Since the founding of Kencho-ji in the 13th century by Rankei Doryu who was a Zen priest from the Southern Sung Dynasty, this old Zen temple has cherished the teaching to respect all living things, and this insect mound stands as a symbol of this philosophy.


As a Zen temple, Kenchō-ji has a particular history of admonishing against the unjustified killing of any living things during the practice and works (garden cleaning, working in the fields, and so on).

This insect mound is the place of memorial service that embodies the infinite compassionate heart of Buddha.

 

A stone sculpture (stag beetle) of Mushi-zuka (mourning mound for dead insects): Kencho-ji

A stone sculpture (stag beetle) of Mushi-zuka (mourning mound for dead insects): Kencho-ji
 
In schools of Zen Buddhism such as Kencho-ji temple (particularly the Rinzai school), the prohibition of killing lives is emphasized as an essential ascetic practice within daily life.

For example, when sweeping the garden or weeding, one does not kill insects needlessly. The monks who are practicing meditation are cautious not to swat mosquitoes flying around them.

Buddhism teaches that all living beings possess “Bussho” (Buddha-nature). That is to say, humans, animals, insects, and plants are all fundamentally precious beings that possess the same potential to become Buddha, who has achieved a state of perfect enlightenment.

Even the smallest life is considered to have the sacred heart of Buddha, while simultaneously being ignorant about its own divine nature without being spiritually awakened.

For this reason, the prohibition of killing is not merely a prohibition of action,
but also the practice for cultivating the compassionate heart of Buddha, while cherishing the lives of all living things around us.



Higanbana (Lycoris radiata) flower: Kencho-ji

Higanbana (Lycoris radiata) flower: Kencho-ji

 

Hagi (Japanese bush clover) flowers: Kencho-ji

Hagi (Japanese bush clover) flowers: Kencho-ji

 

Hagi (Japanese bush clover) flowers: Kencho-ji

Hagi (Japanese bush clover) flowers: Kencho-ji

 

Hagi (Japanese bush clover) flowers: Kencho-ji

Hagi (Japanese bush clover) flowers: Kencho-ji

 

Hagi (Japanese bush clover) flowers: Kaizo-ji

Hagi (Japanese bush clover) flowers: Kaizo-ji

 

Autumnal seascape: Yuigahama-beach

Autumnal seascape: Yuigahama-beach

 

Hagi (Japanese bush clover) flowers: Chojyu-ji

Hagi (Japanese bush clover) flowers: Chojyu-ji

 

Hagi (Japanese bush clover) flowers: Chojyu-ji

Hagi (Japanese bush clover) flowers: Chojyu-ji

 

Hagi (Japanese bush clover) flowers: Chojyu-ji

Hagi (Japanese bush clover) flowers: Chojyu-ji

 

Fuyo (Hibiscus) Flowers: Kaizo-ji

Fuyo (Hibiscus) Flowers: Kaizo-ji

Summer has finally passed, and the clear, tranquil sun of autumn has returned to this quiet garden. The thin, rose-pink flowers of Fuyo (Cotton-rose hibiscus), which have been blooming elegantly throughout this summer to vividly color the monotonous green garden, are still showing their remaining beauty as if to try to resist the swift departure of summer.

The flowers of Fuyo bloom from summer to fall and are large, single or double flowers about 15 cm in diameter. They are ephemeral “one-day flowers” that open in the morning and wither away in the evening. When they first bloom, they are white or pale pink, but they gradually change to a deep crimson over time. Due to this color change, there is also a variety called "Sui Fuyo" (Drunken Hibiscus).



Fuyo (Hibiscus) Flowers: Kaizo-ji

Fuyo (Hibiscus) Flowers: Kaizo-ji

 

Lotus leaves: Kencho-ji

Lotus leaves: Kencho-ji

 

Lotus pond: Tsugaoka-hachimangu

Lotus pond: Tsugaoka-hachimangu